I May Never Sleep Tonight~

I May Never Sleep Tonight~ Hello. :) My name is Logan. I'm your not-so-typical 18 year old, but I'm pretty tumblr-typical. I'm in a lot of different fandoms, even if I don't always post about all of them. I love basically all art forms. I am a proud cosplayer. Panic At The Disco is my favorite band and has helped me through some tough times. I hope to be an Author&Owner of a Tavern/Pub when I get older. :) I am always here if you need to or just want to talk.

sculpture-center:

Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production. 

Reblogged from sculpture-center

sculpture-center:

Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.

RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production. 

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